In an interview with Linda, Dutch entertainers Beppie Melissen and Loes Luca discuss the foundations of their 56-year friendship. The bond is described as being held together by humor, mutual trust, and shared history. Melissen notes that maintaining such long-term friendships requires active attention, similar to marriage, involving regular catch-ups and cherished outings. [1]
Both women emphasize the role of humor as an invisible sensor of connection. LuCa compares laughing to making love with one's soul, stating that it does not require a common language. She admits that while she could fall in love without shared laughter, becoming friends is significantly harder without it. Melissen agrees, noting that their easy-going dynamic has allowed them to navigate decades of career highs and lows together. [1]
LuCa reflects on her portrayal of the character Cor in the series *Gooische Vrouwen*, expressing a deep appreciation for the role and ensuring the character feels nuanced rather than merely harsh or unlikable. She enjoys the unique position her profession allows, such as telling a joke at a funeral within the script, and welcomes public recognition, contrasting the direct contact of theatre with the abstraction of screen acting. [1]
Regarding her personal life, LuCa shares her 17-year relationship with Ernest, describing him as completely unsuspicious about the attention her work attracts. She views their union as potentially permanent, contrasting it with her previous relationships which lasted around ten years. She mentions a desire to have been a singer, inspired by LuCa herself, who appreciates the physical sensation of performing. [1]
The article touches on personal style preferences, including LuCa's neutral wardrobe staples, her dislike for discarding items, and her admiration for Diane Keaton’s fashion sense. Melissen discusses her maintenance of good manners and politeness, recounting a childhood friendship with 'Bep' who helped her break free from prudishness. [1]
Social activities for both women involve dance and singing. Melissen organizes dance afternoons to escape monotony, enjoying the structure of ballroom etiquette. LuCa is preparing for her second Christmas sing-along performance at the Royal Concertgebouw, featuring a living nativity scene and festive costumes. [1]
Social gatherings remain important, though the scale has changed. LuCa notes that while parties used to get rowdy and end in a polonaise, they now involve fewer guests and less alcohol. She speaks candidly about the loss of her husband 18 years ago, expressing a reluctance to stand at friends' graves, preferring them to stand at hers instead. [1]
Melissen reflects on her extensive career, having run her own theatre company, won Golden Calves, and played roles in *Jiskefet* and *Gooische Vrouwen*. She continues to engage actively in the cultural scene, balancing her Amsterdam and Scheveningen residences. [1]
LuCa maintains a positive outlook, stating that while she follows the news, she removes newspapers that leave her feeling depressed. Her motto is to always try to make the best of the situation, even during moments of weariness. [1]
The piece serves as a behind-the-scenes look at two enduring figures in Dutch entertainment, highlighting the longevity of their careers and the strength of their personal bond. [1]
No new specific information. [1]
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